„The Rotterdam Philharmonic responded to his every gesture and truly rose to the occasion in this performance of the highly emotional last two movements of Tchaikovsky’s 6th symphony. A very controlled crescendo where he really held the orchestra back, confirmed to all that his interpretation would reign supreme.“
Belgian conductor Martijn Dendievel is Chief Conductor of the Hofer Symphoniker and Chief Conductor of Symfonieorkest Vlaanderen. Since winning the 2021 German Conducting Award, and laureate awards at the Donatella Flick Competition and the International Conducting Competition Rotterdam, Dendievel has been invited to orchestras across the world where he is often praised for his vivid and expressive conducting technique, and for his extensive and thorough knowledge of the repertoire.
Alongside his commitment to the Hofer Symphoniker and Symfonieorkest Vlaanderen, Martijn enjoys longstanding relationships with the Teatro Comunale di Bologna, Orchestre Philharmonique Royal de Liège, and Sinfonia Varsovia. In the 2025/26 season, he also debuts with BBC Symphony Orchestra, Borusan Istanbul Philharmonic Orchestra, Danish Philharmonic Orchestra, LOH-Orchester Sondershausen, Orchestra del Teatro Petruzelli Bari and Sofia Opera Orchestra. Martijn’s recent guest conducting highlights elsewhere include performances with the WDR Sinfonieorchester, Tonkünstler-Orchester Wien, Bamberger Symphoniker and Copenhagen Philharmonic. Furthermore, he has conducted the Royal Concertgebouw Orchestra, London Symphony Orchestra, Tonhalle-Orchester Zürich, Staatskapelle Weimar, and the Rotterdam Philharmonic, amongst others. In 2024, he debuted at the Chopin and his Europe festival in Warsaw.
Growing up in a family of musicians, Martijn Dendievel showed a great interest in music during his childhood and took his first musical steps on the violin at the age of three. A few years later, he switched to the cello and started playing the recorder, percussion, and the harpsichord. As an instrumentalist, Martijn gained orchestral experience in various youth orchestras, and has performed in halls such as the Konzerthaus Berlin, the Concertgebouw Amsterdam and BOZAR in Brussels.
At the age of 14, he was exceptionally admitted to the Royal Conservatory in Brussels, where he obtained a bachelor’s degree in music theory with distinction, whilst studying cello with Jeroen Reuling. Martijn then moved to Germany to study conducting at the HfM Franz Liszt Weimar with Prof. Nicolás Pasquet and Prof. Ekhart Wycik. In July 2022, he finished his master’s degree. Martijn has received mentoring from Bernard Haitink and Paavo Järvi, amongst others. He also received significant support from encounters with Christian Thielemann, Iván Fischer and Edo de Waart.
Apart from the music language, he is fluent in Dutch, German, English and French, and has an extensive knowledge of Italian and Swedish.
„Something was about to happen here that would be talked about for a long time to come. Not so much about the works themselves, but about that unknown young conductor’s approach to those works, his collaboration with the orchestra members, with the soloists, the fusion, his expressive facial expression, …. Martijn Dendievel, remember the name. He is one of these rare great conductors.“
L. Van Mechelen, Klassiek Centraal
Programming the Future
Future
Classical music is facing the big challenge of keeping up with the pace of a fast-changing society. Most orchestral concerts still serve the same three-course menu of an overture, a concerto, and a symphony by Beethoven, Brahms or Bruckner. Whilst this format has proven its success and should without doubt be continued in the future, there are more concert formats and program combinations worth exploring, which can help to both attract new audiences as well as diversify the standard orchestral repertoire.
One way in which a program combination can take shape, is through storytelling – in Martijn’s words:
“Telling a story with a program and curating the whole concert as a unique experience is the key in dissolving the subconscious dogma that a concert will only be good with known repertoire on the program, and gradually building up the audience’s trust in the artistic vision of an orchestra.”
Shifting the focus of a concert to a certain theme creates the necessary space for seldomly played works to become part of a program; something which is crucial to broaden the classical tradition.
Some examples are:
The Year 1919 (Concerts in January 2019)
E. M. Domenech – Divertimento for Orchestra (world premiere) E. Elgar – Cello concerto (premiered 1919) K. Atterberg – 4th symphony (premiered 1919) M. Weinberg – Polish Tunes (Weinberg was born in 1919)
Fairytales
A. Dvořák – The noon Witch N. Westlake – Spirit of the Wild (Oboe concerto) J. Suk – Pohádka Op. 16 (Fairytale, large symphonic poem in 4 movements)
Composers in Exile
E. W. Korngold – Much ado about nothing suite P. Hindemith – Violin concerto A. Schönberg – Notturno for strings and harp K. Weill – Symphony No. 2
Reformation
J.-Ph. Rameau – Suite from several ballets J. Adams – Violin concerto F. Mendelssohn – Symphony N° 5
Re-thinking classical music doesn’t stop at creative programming. Changing other variables of a concert, such as the location, setting, length and/or combining music with other art forms, are elements to play around with.
Concerts for passing-by trains
In the Beethoven year 2020, Martijn partnered up with the performance art collective Datenstrudel for a special staging of Beethoven’s “Ode an die Freude”. Passengers in passing-by trains were given FM radios to listen live to a performance on the fields outside. This effectively created the world’s largest orchestra pit, involving more than 100 musicians spread over 2,7 kilometers.
Martijn has worked closely with Philzuid (formerly philharmonie zuidnederland) to develop a project called “Stories at an Exhibition”. Local residents are asked to share a personal story which is linked to a specific classical piece. The story is then read out aloud, and that piece is played in an intimate, living room-like setting where the borders between orchestra musicians and audience will be dissolved. The project has had its first performance on April 14th 2022, and will be repeated in Maastricht in the coming years under the name “The People’s Salon”.
Bringing contemporary music closer to people
Programming contemporary music is often equally challenging for musicians performing a piece, as well as for the audience listening to it. Key reference points and recognizable structures, which are needed to understand the sound and message of a piece, are usually missing. Martijn regularly gives small introductions as part of the concert, i.e., for all visitors in the hall, embedding the orchestra on stage by having it play small excerpts from the piece and offering the audience a listening guide. The latest stagings of this concept included concerts with Symfonieorkest Vlaanderen (Daan Janssens: …en attendant personne…) and Phion (Kaija Saariaho: D’om le vrai sens). In 2024 and 2025 he returned to Belgian Ensemble I SOLISTI for performances of music by Dutch composer Louis Andriessen as well as the world premiere of Martijn Padding’s Two Trumpets Descneding
Repertoire
Repertoire
Adams, John Short Ride in a Fast Machine
The Chairman Dances
Saxophone concerto
Absolute Jest
The Wound-Dresser
Adams, John Luther Become River
Andriessen, Louis Workers Union
M is for Man, Music, Mozart
Arutiunian, Alexander Trumpet concerto
Atterberg, Kurt Symphony 4 “Sinfonia Piccola”
Bach, Johann Sebastian Saint John-Passion
Mass in B Minor
Suite 3 for orchestra in D Major
Barber, Samuel Adagio for Strings Violin concerto
Bartok, Bela
Concerto for Orchestra
Romanian Folk Dances
Dance Suite
Violin concerto 2
Piano concerto 3
Beethoven, Ludwig van Symphonies 1 – 9
Piano concertos 1, 3, 4
Violin concerto
Ouverture to Egmont
Ouverture to Coriolan
Ouverture to Leonore (2 and 3)
Triple concerto for violin, cello and piano
Berg, Alban Violin concerto
Berlioz, Hector
Symphonie Fantastique
Harold en Italie
Bernstein, Leonard On the town: three dance episodes
Blackford, Richard Niobe
Borodin, Alexandr In the steppes of Central Asia
Boulanger, Lili D’un soir triste
Brahms, Johannes Symphonies 1 – 4
Violin concerto
Double concerto for violin and cello
Piano concertos 1 – 2
Academic Festival Ouverture
Tragic Ouverture
Piano Quartet (arr. Schönberg)
Brewaeys, Luc Symphony 3 “Hommage”
Britten, Benjamin Simple Symphony
Variations on a theme by Frank Bridge
Sinfonia da Requiem
Four sea interludes and Passacaglia from Peter Grimes
Violin concerto
Cantata Misericordum
Bruch, Max Violin concerto
Bruckner, Anton Symphonies 4, 6, 7
Busoni, Ferrucio Piano concerto
Chapi, Ruperto Intermedio from La Revoltosa
Chin, Unsuk Gougalon
Subito con Forza
Chopin, Frédéric Piano concertos 1, 2
Variations on “Là ci darem la mano”
Copland, Aaron Fanfare for the common man
A letter from home
De Boeck, August Dahomeese Rhapsodie
Debussy, Claude Prélude à l’après-midi d’un faune
Nocturnes
La Mer
Delius, Frederick Summer night on the river
Domenech, Eric Divertimento for Orchestra
Arabesque
Dove, Jonathan Hojoki
Dvořák, Antonin Symphonies 6, 7, 8, 9
Cello concerto
Violin concerto
Serenade for Strings
The Noon Witch
The Waterman
Carnival Ouverture
Dukas, Paul Villanelle for horn and orchestra
The sorcerer’s apprentice
Elgar, Edward Cello concerto
Serenade for Strings
Enigma variations
Farrenc, Louise Symphony 3
Fauré, Gabriel Masques et Bergamasques Suite
Pelléas et Mélisande Suite
Pavane
Franck, César
Symphony in d minor
de Frumerie, Gunnar Horn concerto
Freiberg, Daniel Clarinet concerto “Latin American Chronicles”
Gaubert, Philippe Violin concerto
Gade, Nils Hamlet Ouverture
Gershwin, George Porgy and Bess Phantasy (arr. I. Farrington)
Catfish Row
Cuban Ouverture
Gervasoni, Stefano Eufaunique
Glazunov, Alexander Saxophone concerto
Glinka, Michail Ouverture to Ruslan and Ludmila
Golijov, Osvaldo Three songs for Soprano and Orchestra
Grieg, Edvard Piano concerto
Peer Gynt Suites 1, 2
Hindemith, Paul Mathis der Maler Symphony
Violin Concerto
Honegger, Arthur Symphony 3
Pastorale d’été
Le Roi David
Howell, Dorothy Lamia (symphonic poem for large orchestra)
Hummel, Nepomuk Trumpet concerto
Humperdinck, Engelbert Ouverture to Hänsel und Gretel
Ibert, Jacques Bostoniana
Flute concerto
Divertissement
Ives, Charles Variations on “America”
The Unanswered Question
Janáček, Leoš Lašské Tance
Glagolitic Mass
Suite for strings
Joachim, Joseph Hamlet Ouverture
Karłowicz, Miecyzsław Eternal Songs
Khachaturian, Aram Adagio from “Spartacus”
Koppel, Anders
Marimba concerto 1
Korngold, Erich Symphonie in Fis Violin concerto
Cello concerto
Krauze, Zygmunt Piano concerto 4
Laks, Szymon Poème for violin and orchestra
Laporte, André Transit (for 48 Strings)
Lekeu, Guillaume Adagio for strings (Adagio pour quatuor d’orchestre)
Ligeti, György Concert Romanesc
Mysteries of the Macabre
Hamburg Concerto
Liszt, Franz Les Préludes
Piano Concerto 1
Lutosławski, Witold Symphony 4
Lyadov, Anatoli Kikimora
Mahler, Gustav Symphonies 1, 4, 6, 9
Martin, Frank Symphonie pour grande orchestre
Polyptyque for violin and double string orchestra
Martinů, Bohuslav Violin concerto 1
Little Suite from “Comedy on the Bridge”
Mendelssohn, Felix Symphonies 1, 3, 4, 5
Violin concerto
A Midsummer night’s dream: Ouverture, Scherzo, Intermezzo, Notturno, March
Ouverture The Hebrides (Finals Cave)
Ouverture Meeresstille und Glückliche Fahrt
Milhaud, Darius Le Boeuf sur le Toit
La Création du Monde
Marimba concerto
Scaramouche – Suite for saxophone and orchestra
Mortelmans, Lodewijk Hartverheffing
In Memoriam
Mozart, Wolfgang Amadeus Symphonies 25, 29, 35, 39, 40, 41
Divertimenti for Strings
Clarinet concerto
Flute concerto 1 and 2
Violin concertos 3 – 5
Piano concertos 9 and 12
Concerto for three pianos
Various Ouvertures (see Opera)
Mussorgksy, Modest Pictures at an exhibition (orch. Ravel)
Pictures at an exhibition (orch. Gorchakov)
Nielsen, Carl Symphony 2
Pan & Syrinx
Violin concerto
Padding, Martijn Two Trumpets Descending
Pettersson, Allan Symphony 7
Violin concerto (second version)
Pop, Adrian Hore for orchestra
Prokofiev, Sergei Symphony 5
Romeo and Juliet (all Suites, as well as large parts of the ballet)
Piano concertos 1 – 2
Puccini, Giacomo Crisantemi
Preludio Sinfonico
Rachmaninov, Sergei Piano concertos 2, 3
Symphonic Dances
Raskatov, Alexander Paradise Lost (for wind ensemble)
Ravel, Maurice Piano concerto in G
Piano concerto for the left hand
Daphnis et Chloé Suite 2
Pavane pour une infante défunte
Le Tombeau de Couperin
Ma mère l’oye (Suite and complete ballet)
Respighi, Ottorino Trittico Botticelliano
Pini di Roma
Concerto Gregoriano
Adagio con variazione (for cello and orchestra)
Schubert, Franz Symphony 8 “Unfinished”
Symphony 9 “The Great”
Schumann, Robert
Symphonies 1, 3, 4
Cello concerto
Piano concerto
Manfred Ouverture
Schoenberg, Arnold
Pierrot Lunaire
Verklärte Nacht
Kammersinfonie 1 (Opus 9)
Shostakovich, Dmitri Symphonies 5, 7, 9, 11, 15
Cello concerto 1
Violin concerto 1
Piano concerto 1
Festive Ouverture
Suite from “The Golden Age”
Sibelius, Jean Symphonies 1, 2, 5, 7
Violin concerto
Valse triste
Karelia Suite
En Saga
The Swan of Tuonela
Smetana, Bedrich
Ma Vlast: n°2 (Moldau), n°4 (From Bohemian Woods and Fields)
Three Dances from “The Bartered Bridge”
Strauss, Johan An der schönen blauen Donau
Wein, Weib und Gesang
Kaiserwalzer
Rosen aus dem Süden
Ouverture to Die Fledermaus
Strauss, Richard
Tod und Verklärung
Aus Italien
Oboe concerto
Suk, Josef Pohádka (Opus 16)
Stravinsky, Igor
Le Sacre du Printemps
Petrouschka
Jeu de Cartes
Firebird Suites 1919 and 1945
Concerto for strings
Symphonies for wind instruments
Szymanowski, Karol Violin Concerto 1
Tanaka, Karen Techno Etudes IV
Tchaikovsky, Pjotr Ilych Symphonies 1, 4, 5, 6
Manfred Symphony
The Nutcracker Suite
Romeo and Juliet, fantasy ouverture
Ouverture “The Year 1812”
Violin concerto
Piano concerto 1
Rococo Variations for Cello
Serenade for Strings
Tcherepnin, Alexander Triple Concertino
Vaughan Williams, Ralph Symphony 5 The Lark Ascending
Fantasia on a Theme of Thomas Tallis
Veprik, Alexander Dances and Songs of the Ghetto
Verdi, Giuseppe Ouverture to Nabucco
Wagner, Richard Lohengrin: Prelude to Act I and III
Die Meistersinger von Nürnberg: Prelude to Act I
Ouverture to Tannhäuser
Prelude and Liebestod from Tristan and Isolde
Siegfried-Idyll
Weber, Carl Maria von Ouverture to Freischütz
Ouverture to Oberon
Clarinet concertos 1 and 2
Wolschina, Reinhard Klangspiele für Flöte und Ensemble
Ziehrer, Carl Maria “Hereinspaziert!”-Waltz
Bizet, Georges Carmen
De Jaer, Baudouin La Forêt Ce qui vit en nous
Mozart, Wolfang Amadeus Die Zauberflöte
Le Nozze di Figaro
Don Giovanni
Così fan tutte
Puccini, Giacomo La Bohème
Rossini, Gioachino Selections from Barbiere di Siviglia
Sondheim, Stephen Company
Wagner, Richard Lohengrin Der Fliegende Holländer
Partners
Partners
Hofer Symphoniker
From the 2024/25 season, Martijn assumed the role of Chief Conductor of the Hof Symphony Orchestra (Hofer Symphoniker). His contract initially covers four seasons, during which he leads the subscription concerts at the Freiheitshalle and conducts guest performances throughout the Upper Franconia (Oberfranken) region.
Highlights of his first season as chief conductor included Tchaikovsky’s Manfred Symphony, the German premiere of the piano concerto by Doreen Carwithen, with soloist Alexandra Dariescu, as well as the h-moll-Messe by Bach. In the 2025/26 season, he will lead the orchestra in masterpieces like Tchaikovsky’s and Mendelssohn’s Fifth Symphony, as well as Beethoven’s Eroica symphony. Internationally renowned soloists like Nils Mönkemeyer, Alexander Melnikov and Andrei Ionita will join Martijn and the orchestra.
Martijn was named associate conductor of Symfonieorkest Vlaanderen (Flanders Symphony Orchestra) in January 2022. He previously served as assistant conductor there from 2018 to 2021. He remains in charge of the youth orchestra SOV Young as well as the SOV Composers’ Academy and will also conduct one production per season from September 2023. In these concerts, he will conduct concert programs he has put together himself, themed around the personality of Antonin Dvořák.
The Forum Dirigieren (formerly Dirigentenforum) of the German Music Council was established for talented young conductors and promotes young orchestral and choral conductors. Artistic encounters of the young generation with nationally and internationally renowned conducting experts as well as with renowned orchestras is the central task of Forum Dirigieren. In addition, workshops on career planning, public relations, etc. are organized. Furthermore, the organisation and execution of the “German Conducting Award”, which Martijn won in 2021, is in the hands of Forum Dirigieren.
Since 2018, Martijn has been a scholarship holder of Forum Dirigieren and attended courses with Gabriel Feltz, Pavel Baleff, Simone Young, Marko Letonja and Enrico Delamboye. He conducted the Dortmund Philharmonic, the WDR Funkhausorchester, the Bremen Philharmonic and the Staatsorchester Rheinische Philharmonie Koblenz.
In June 2021 he was nominated to the artist list “Konzertförderung Forum Dirigieren” (formerly “Maestros von Morgen”).
The Zirndorf-based company Woolwind produces concert clothing for musicians and conductors. At the start of 2022, Martijn joined Woolwind as a brand partner and advises the team behind the tailcoats and mandarin jackets on the specifics for conductors, such as increased freedom of movement in the chest area. In this way, he also supports the development of clothing made in the EU, an important matter for Martijn.
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